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SENSOR TYPE	MONSTRO 35.4 Megapixel CMOS	HELIUM 35.4 Megapixel CMOS*	GEMINI 15.4 Megapixel Dual Sensitivity CMOS
EFFECTIVEPIXELS	8192 × 4320	8192 × 4320	5120 × 3000
SENSOR SIZE	40.96 mm x 21.60 mm (Diagonal: 46.31 mm)	29.90 mm x 15.77 mm (Diagonal: 33.80 mm)	30.72 mm x 18.0 mm (Diagonal: 35.61 mm)
DYNAMICRANGE	17+ stops	16.5+ stops	16.5+ stops
MAX FRAMERATES1	60 fps at 8K Full Format (8192 × 4320), 75 fps at 8K 2.4:1 (8192 × 3456) 60 fps at 7K Full Format (7168 × 3780), 75 fps at 7K 2.4:1 (7168 × 3024) 75 fps at 6K Full Format (6144 × 3240), 100 fps at 6K 2.4:1 (6144 × 2592) 96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160) 120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728) 150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296) 240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)		75 fps at 5K Full Height 1.7:1 (5120 × 3000) 96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160) 120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728) 150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296) 240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)
MAX DATARATES	Up to 300 MB/s using RED MINI-MAG (480GB & 960GB) Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)
PLAYBACKFRAME RATES (PROJECTTIMEBASE)	23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions
REDCODESETTINGS  RANGE FROM2:1 UP TO 22:11	5:1 REDCODE for 8K Full Format (8192 × 4320) at 24 fps 12:1 REDCODE for 8K Full Format (8192 × 4320) at 60 fps 2:1 REDCODE for 4K Full Format (4096 × 2160) at 24 fps 3:1 REDCODE for 4K Full Format (4096 × 2160) at 60 fps		3:1 REDCODE at 5K Full Height (5120 × 3000) and 24 fps 6:1 REDCODE at 5K Full Height (5120 × 3000) and 60 fps 2:1 REDCODE at 5K Full Format (5120 × 2700) and 24 fps 8:1 REDCODE at 5K Full Format (5120 × 2700) and 96 fps 2:1 REDCODE at 4K Full Format (4096 × 2160) and 24 fps  6:1 REDCODE at 4K Full Format (4096 × 2160) and 120 fps
REDCODE RAW ACQUISITIONFORMATS2	8K Full Format (8192 × 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x 7K Full Format (7168 × 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 6K Full Format (6144 × 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x 5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x 3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x		5K Full Height 1.7:1 (5120 × 3000), 5K Full Height 6:5 (3600 × 3000), and Ana 2x, 1.3x 5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 4:1, 8:1, and Ana 2x, 1.3x 4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
APPLE PRORES	ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps
AVID CODECS3	DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps  DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
CONSTRUCTION	Aluminum Alloy
WEIGHT	3.35 lbs (BRAIN with Integrated Media Bay)
OPERATINGTEMPERATURE	0°C to 40°C (32°F to 104°F)
STORAGETEMPERATURE	–20°C to 50°C (–4°F to 122°F)
RELATIVEHUMIDITY	0% to 85% non-condensing
COLORMANAGEMENT	Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs Variable number of 3D LUT outputs with DSMC2 expander module User programmable shaper 1D LUTs Tetrahedral interpolation, 16-bit processing
AUDIO	Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz
REMOTECONTROL	Integrated R.C.P. WiFi antenna Ethernet, RS232, and GPI Trigger with DSMC2 expander module
MONITOROUTPUTS	3G-SDI (HD-SDI) and HDMI with DSMC2 expander module 1080p RGB or 4:2:2, 720p RGB or 4:2:2 480p RGB or 4:2:2 (HDMI only) SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
MONITOROPTIONS	DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF(OLED) with cable-free connection. RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.
REDCINE-X PRO DELIVERYFORMATS	4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF 1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
VIDEO EDITINGSOFTWARE  COMPATIBILITY4	Adobe Premiere Pro, AVID Media Composer,  DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

Tech specs reflect both current and projected information. Everything is subject to change.

1. REDCODE values and max frame rates may vary based on selected acquisition format, aspect ratio, project time base, Lookaround setting, and SSD. For more information on available REDCODEcompression settings for all formats, see the DSMC Media Operation Guide.
2. For more information on available acquisition formats, see the DSMC Operation Guides.
3. Avid DNxHD/HR Codecs recording support added to DSMC2 firmware v6.3 or later.
4. Third-party non-linear editing (NLE) applications may have limited compatibility with R3D files.

*HELIUM 8K S35 MONOCHROME features the same technical specs as HELIUM 8K S35 with the exception of the MONOCHROME Sensor